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　　Contemporary Art: World Currents argues that, in recent

decades, a worldwide shift from modern to contemporary art has

occurred. Artists everywhere have embraced the contemporary world's

teeming multiplicity, its proliferating differences and its

challenging complexities. This book shows how contemporary art

achieved definitive force in the markets and museums of the major

art centres during the 1980s. It then became a global phenomenon as

artworlds everywhere began to connect more closely, to become

contemporaneous with each other. New communicative technologies and

expanding social media are now shaping the future of art. Terry

Smith offers the first account of these changes, from their

historical beginnings to the present day. This book breaks new

ground in tracing how modern, traditional and indigenous art became

contemporary in each of cultural region of the world. The author

argues that it is diversity, or the contemporaneity of difference,

not a convergence towards sameness, which makes today's art

contemporary.

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　　Terry Smith is Andrew W. Mellon Professor of Contemporary Art

History and Theory at the University of Pittsburgh and

Distinguished Visiting Professor, National Institute for

Experimental Arts, College of Fine Arts, University of New South

Wales, Sydney. He was Power Professor of Contemporary Art and

Director of the Power Institute at the University of Sydney. A

leading authority in the theory of contemporary world art, he is

the author of a number of books most recently: What is Contemporary

Art? (University of Chicago Press, 2009).

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　　"Terry Smith is acknowledged world wide as the leading

authority in the theory of contemporary art."-- Hans Belting,

Professor for Art History and Media Theory, Academy for Design,

Karlsruhe, Germany, from the Global Art and the Museum website.

"Terry Smith is that rare art and social historian able to write

criticism at once alert to the forces that contextualize art and

sensitive to the elements and qualities that inhere to the works of

art themselves."-College Art Association, citation for the 2010

Frank Jewett Mather Award for Art Criticism

书籍介绍

Contemporary Art: World Currents argues that, in recent decades, a worldwide shift from modern to contemporary art has occurred. Artists everywhere have embraced the contemporary world's teeming multiplicity, its proliferating differences and its challenging complexities. This book shows how contemporary art achieved definitive force in the markets and museums of the major art centres during the 1980s. It then became a global phenomenon as artworlds everywhere began to connect more closely, to become contemporaneous with each other. New communicative technologies and expanding social media are now shaping the future of art. Terry Smith offers the first account of these changes, from their historical beginnings to the present day. This book breaks new ground in tracing how modern, traditional and indigenous art became contemporary in each of cultural region of the world. The author argues that it is diversity, or the contemporaneity of difference, not a convergence towards sameness, which makes today's art contemporary.